Saturday, June 01, 2019

What Bruce Lee Taught Us by Badger Johnson

What BL taught us.

Development of short power, with the one and three inch punch. Studied Jack Dempsey and his drop-shift. Knew that the key element of patterns was incorporating the body energy or ground-path and not just arm strength, though didn’t say explicitly. However, also discovered a method of bringing short power just by over development of the forearm muscles and the wrist tilt punch.

Went beyond aphorisms, and flowery sayings, though he did include many from Krishnamurti and Zen sayings. Basically he was one of the first to relate deeper thoughts to personal combat. Others offered thoughts about military goals and tactics or mass combat, like Musashi’s Book of Five Rings and Sun Tzu’s Art of War, but not specifically personal combat.

Emphasized suddenness over sheer strength. Kinetic energy = 1/2 mv² - meaning the mass is much less significant than the velocity.

How to make weak things stronger especially those which are weak even on strong men. Upper back muscles, obliques, forearms, neck, abs, calves. He specifically worked on the bridge arm muscles allowing him to keep his arm raised and not pushed down.

Helped us understand how to analyze what’s important rather than what is showy, though didn’t say how explicitly. Emphasized the individual finding their best methods and abilities.

That hardening a body part is not the apex of MA. Better to harden a body system, such as wrist and forearm power.

It was fairly obvious that he was trying to think outside the box and to see outside the box.

Helps show us the path to self-coaching. Prompted people to analyze their own strengths and weaknesses, and to understand their limitations.

Mentally and physically explained how the build up was like a pyramid, with a base layer and a diamond-like pinnacle. Each level required the build up of the previous level, ending in a sharp point, beyond what might be possible without base building.

Adding nutrition and weight training and cross training even more than it was emphasized before.

How to find the best in other systems and then incorporate into your system.

He was not successful in getting across the ‘my forte may not be your forte’ - people just wanted to copy him.

Rather than tell us outright his secrets he dropped hints which made it worth looking deeper. Sometimes it’s better to hint than to just tell everything. IF you tell everything people undervalue it.

Concepts like ‘Fighting Without Fighting’, ‘Absorb What Is Useful’, ‘Having No Limitation As Limitation’, and other Zen-like sayings were incorporated into the body of knowledge for people to look more deeply into, giving the method more profound implications, and not just a gymnastic routine. (see the essay about the concept of Fighting Without Fighting)

Some sayings such as ‘Empty Your Cup’ are well-known but were not necessarily applied to combat. ”Obey the principles without being bound by them.” is also a good one, showing that to become great one must follow the principles, then, at the top levels of skill, ultimately break them. Interestingly some of his sayings change as one grows in mastery. ‘Hacking Away at the Non-essential’ may have a different meaning to beginners than to those with higher skill.

While others were saying to look for hidden meaning in fixed patterns he said ‘The truth is outside all fixed patterns’.

One thing that it’s important to do is not just to repeat his sayings but delve into the meaning, origin and deeper levels of the concept.

He figured out how to incorporate things like non-telegraphic action, non-intention movement into his fighting style, and using the ‘fast close’, make them actually work in practice. How do you do non-intention? You catch yourself doing a non-intention move and then reverse engineer it, and break it down for study. You can’t ‘intend’ to do non-intention. Once you have non-intention capability, you can then begin to predict or anticipate others’ movements before they themselves realize they’re doing them. This is one of the basis for ‘Attack by Drawing’ tactics.

He brought several fencing concepts into combat, among them, the ‘Five Ways of Attack’. He should have said “there may be more ways of attack than just five but you have to find them”. (see the essay on ‘the expansion of the five ways of attack’)

He taught that there were concepts such as “fitting in” to the opponent’s moves, not just opposing them. He emphasized the need for various types of broken rhythm, timing and tempo. You don’t use broken rhythm you break the opponent’s rhythm.

Not normally mentioned was that he had the concept of stage presentation or stage magic, or setting up the opponent to fail and himself to succeed. He used this whenever possible to give him a better than even chance to effect his moves and concepts. Such things even work in actual conflict, for example putting the Sun at your back and putting the glare into the opponent’s vision.

In movies, went from the endless superficial blocking and parrying to dynamic short fights.

Concept of how to go from zero to sixty in aggression or the use of a kill word and use of self-hypnosis to access the subconscious.

Realized that hardening body parts is worthless without a delivery system. You may have a hand grenade but if you can’t deliver it to the target it’s not worth much.

May have realized, though didn’t say directly, that aliveness, i.e. footwork, timing, resistance and energy were important aspects to have and to train. He did talk about all of them though didn’t give an overall concept.

He realized that for him his talent may have been in fighting but it’s not a very good way (at the time) to make a living so he went into films, instead. The lesson here is that being obsessed with fighting or combat or self-defense is kind of a ‘trap’. You can only sustain your edge or prowess or alertness for a short time. A fighter’s life-span is limited. Using a ‘firing solution’ (striking or engaging) is one of the last best options one should use to resolve conflict.

A few things he had not yet developed:

1. Grappling flow and ground fighting flow - his grappling method was more of a collection of tricks than an understanding of rolling and guard and mount.

2. Mobile kicking - he didn’t have a complete concept for ‘mobile kicking’ which is using ‘unweighting’ and a high chamber position to bridge the gap. There is a sequence in Return of the Dragon where he bridges the gap using a short skip step against Bob Wall. But he doesn’t conceptualize this in his writings. Though he only gains a few inches with that kick it uses the principle of dynamic chambering and unweighting to close the gap and land the technique. I don't believe he understood it as a 'concept' since he had not incorporated it into his other kicks and was still doing the step up and chamber which is intrinsically slower.

Real-time of the 4 kicks in this scene

Slow motion on the initiation of the 1st, 2nd and 4th kicks

3. Transitions - may have had entering to trapping to grappling but not so much a concept of grip fighting, pummeling and sprawl. He had not fully incorporated the various methods of wrestling take-downs.

4. Did he have an understanding of or a method of testing for durability, or resistance to punishment? We don’t know if BL had a good chin or was fragile. He had small bones and a small frame.

Please check out Badger Johnson's other essays:

Friday, May 17, 2019

Against One Who Scares Us by Badger Johnson

The Predator Who Scares Us

One of the more interesting comments made by a person in the original Usenet group rec.martial.arts, allegedly female MA-ist is this, regarding use of self-defense methods and tools:

…against the person who scares me…

All too often we see demonstrations by compliant people, sometimes by a person with a partner who is female or much smaller than they are, or just another student in their class.

Sparring vs fighting for your life
While sparring, in a class we are just playing a game with a fellow student, exchanging moves, almost taking turns.

Though in tournaments it’s different, generally you are matched with someone of similar if not equal skill, and you are trying to ‘score points’. Of course, modern MMA and sub-grappling tournaments the action is faster, somewhat more dangerous. Participants have higher skill and to the layperson seem quite above their ability.

Who Actually Needs Self-defense Training?
Let’s talk about actual self-defense. We sometimes see very large, burly, 6’3”+ people giving a demo, and giving opinions on what to do. But in truth, the people who need self-defense are smaller, female, younger, the elderly, or even the partially disabled.

A technique should be comprised of “non-attribute-based methods”, which a less physically endowed can use. In some cases it should be admitted that for a 5’5” female (or smaller person) to attempt to use a physical move in hand-to-hand is not going to be successful. In that case the smaller female needs to have a force multiplier, such as a weapon or even a firearm, or perhaps a partner who might also be armed.

Compliant Demonstration Partners
When a demo is shown it should not be done with a compliant partner, but, if possible with a person who is actually a threat against the person showing the technique. Now, this is not always possible as there are some very large and muscular persons who lead martial arts schools (such as Mas Oyama, Bruce Lee or Rickson Gracie). In that event the demo is going to be misleading. Those adepts can make the simplest move effective. Compared to them every opponent is essentially unskilled. Thus following their example, what is sometimes called the ‘Founder Problem’, is sometimes less helpful for the normal person.

Attributes and abilities
Let’s look at attributes and abilities. Sometimes people talk about being able to use martial arts or self-defense moves against another person who they might claim is untrained in them. But it does not address the skills that an actual predator may possess. A true predator is someone who has significant experience using force and persuasion on another person and has a long history of success. Experience, you could say, is the ultimate teacher.

The Untrained, But High Attribute Athlete
If you consider a person who is untrained in martial arts but who is a professional athlete in another sport, for example a running back in a pro-football league, who routinely goes up against other players who are wearing pads and helmets, essentially body armor, and who are using steroids or other performance enhancing substances, you get a real sense as to just how ineffective a physical move might be against such a person who is physically attacking someone.

Could the typical martial artist (non-professional) use a grab release or a throw against such a person who was determined to defeat them? Why don’t people we see doing demos bring in such a person to show their moves against? Why wouldn’t Wing Chun players get a college level grappler to come in and let them show their ‘anti-grappling’ moves? Generally the answer is the don’t understand the scope and depth of the problem or the weakness in their approach, so they treat it somewhat lightly.

It’s because the basis of almost all traditional martial arts and most self-defense instructors relies on a somewhat compliant opponent to make their moves work. Imagine a typical demo where the instructor has a 6’5” pro football running back as their demo partner who is trying to win a bet for $100 or who is told the instructor harmed their child (as motivation), trying to show the typical ‘stick your arm out and I’ll do five moves and hit you’ sequence. They wouldn’t dare.

Watching Demonstrations Closely
So the next time you watch a demo, think about how it might work (or not) against a person who really scares the person demonstrating it. Don’t let someone show a 5’5” female being attacked by a 6’2” partner and the female throwing the partner around - it’s a fantasy. Without such fantasies, one might say that trying to use hand-to-hand techniques in self-defense is basically a high risk, low benefit approach. Against a serious self defense threat one needs a disparity of force (such as a weapon, particularly a firearm) or a partner who is trained to assure a positive outcome.

Don’t be fooled by subtly compliant demos showing small people beating large people in a ‘sparring’ match. Even if the smaller person is using non-attribute-based methods, you can assume the opponent is unlikely to be highly motivated, and maybe even over-awed by the person’s reputation. Challenge your instructor to base their methods against a motivated person who scares them.

Professional Athletes vs Amateur Players
Above all remember that amateur athletes playing pick-up ball can’t hope to beat a pro athlete, and martial arts should always be considered a hobby, not a first option against a real threat. Always seek to deescalate, defuse, escape, evade, partner up, and if allowable by law, be armed. Even being armed is not very reliable unless you are partnered up, which is why law enforcement was traditionally done with a partner who could stand back outside of the reactive range and provide cover and back up.

Final Thoughts
Against a predator that scares you, the method should be a layered defense in the home, partnering in the field, and awareness of legal ramifications should a firing solution be required.

In Summary
  1. Find ways to understand your opponent, and how not to underestimate the threat.
  2. Always partner up. If you don’t have one enlist one. Remember predators also work with a partner.
  3. You can’t do it alone, even if heavily armed. This is why traditionally LE works as a team. One in the red zone, one outside seeing clearly.
  4. Use a layered defense - don’t rely on a single option.
  5. Don’t overestimate the effectiveness of single self-defense moves, or collections of tricks.
  6. Learn how to break down demonstrated moves - watch the opponent not the demonstrator.
  7. Appreciate the necessity for having energy, timing, and motion or footwork in your approach to self-defense.
  8. Stress-test your approach and methods, using internal methods - target practice, and external methods simmunition or paintball gaming
  9. Evaluate your weak points and the vulnerable areas in day-to-day practices, particularly parking lots, driving and after-dark activities.
  10. From time-to-time, tear down your methods and build them back up to refresh outdated methods.
  11. Remember that high attribute methods degrade over time.
  12. Train with your partner using internal and external methods. Develop emergency cues for action.

Please check out Badger Johnson's other essays:

Tuesday, October 02, 2018

Inktober 2018 - Day #2: Fundamentals: Grips

Welcome to Inktober 2018 Day 2!

Inktober is an event where artists draw 1 picture for each day in the month of October. This year's focus/theme will be on the staff/spear with my notes. Please forgive my crappy picture of the page.



  1. Palm Up/Down grip - Fight initially at long ranges and can rapidly shift hands to center of staff for close-quarters. Powerful long and short strikes using 'push-pull' action of the hands.
  2. Palms Down grip - For close-quarters and levering. Effective for blocking and pushing.
  3. Baseball bat grip - Facilitates rapid, circular, flourishing attacks, where the staff makes a series of vertical spins to block and strike. Best for 5-6 feet staves. If hands closer together, can deliver powerful strikes like holding a baseball bat.
  4. Single-end grip - Used at long range. Facilitates long- and medium- range fights. Can deliver fast long-range thrusts.
  5. Reverse grip - Good for ascending strikes or levering between legs for takedowns/trips.


  1. Some grips may be better for attacks, blocks or both.
  2. Practice various grips in various situations.


  1. McLemore, Dwight C. "The Fighting Staff". Paladin Press, 2009.
  2. Demura, Fumio. "Bo:  Karate Weapon of Self-Defense". Ohara Publications, 1976.
  3. Varady, Joe. "The Art and Science of Staff Fighting". YMAA Publication Center, 2016.

My drawings for Inktober 2018 (this will be updated daily to add links to each subsequent picture in the series):

Inktober 2017's focus was predominately knifefighting and if you want to check it out, please visit my Projects page.

Monday, October 01, 2018

Inktober 2018 - Day #1: Fundamentals: Staff Lengths

Welcome to Inktober 2018 Day 1!

Inktober is an event where artists draw 1 picture for each day in the month of October. There is an official prompt list for the picture of each day. Last year, I put my own spin to Inktober by focusing each drawing on the martial arts. After the first few pictures, I decided to focus on 1 theme for the whole month. Last year's focus was knifefighting and if you want to check it out, please visit my Projects page.

This year's focus/theme will be on the staff/spear. I am ambitious with this project, will do my best to post 1 picture a day. I also will be jotting down notes to each drawing as after all, I'm trying to learn staff/spear. Additionally, I need to hone my 'gesture drawing' skills as it will be beneficial for notes taking after a martial arts class/seminar. Drawing and notes will be on an 8.5" x 11" paper and I will collect them into a folder.



  1. " shall stand upright, holding the staff upright close by your body, with your left hand, reaching with your right hand your staff as high as you can, and then allow to that length a space to set both your hands, when you come to fight, wherein you may conveniently strike, thrust, and ward, & that is the just length to be made according to your stature."
    ~George Silver's Paradoxes of Defense (1599)
  2. George Silver is saying length of staff is determined by one's height.
  3. Waist height and shoulder height - best to use sword techniques
  4. Some Chinese styles consider eyebrow height as ideal
  5. Chinese and Germans used 8'-12' staves.


  1. Shoulder height or shorter, use the staff as a sword.
  2. Eyebrow height (~5') up to 12', use staff techniques.


  1. McLemore, Dwight C. "The Fighting Staff". Paladin Press, 2009.
  2. Lindholm, David. "Fighting with the Quarterstaff". Chivalry Bookshelf, 2006.

My drawings for Inktober 2018 (this will be updated daily to add links to each subsequent picture in the series):

Saturday, August 11, 2018

In Memory of: Bob Orlando (Oct 26, 1944 - Aug 11, 2016)

Bob Orlando passed away 2 yrs ago on this date. Bob Orlando lost his long fight with Lou Gehrig’s disease.

Bob Anselmo Orlando
Lakewood, Colorado
Oct 26, 1944 - Aug 11, 2016

As tribute, I'm archiving his "Author of the Month" entry from the now defunct Paladin Press.

Author of the Month

BOB ORLANDO -- September 1996

Bob Orlando was introduced to the martial arts while on active duty in the U.S. Marines (1961-1964). However, it was not until after he left the service that the flicker of interest kindled overseas became his consuming fire and he began serious study in Chinese kenpo-karate. Shortly thereafter he switched to kung fu, studying under Al Dacascos (who was then teaching in Denver, Colorado) for three years until a back operation made it impossible to continue in that high-kicking style. It was back to Chinese kenpo, where Bob received his first-degree blackbelt from Dr. John P. Cochran. Although Bob has subsequently earned additional rank, he prefers to say that he is a student of the arts and leave it at that. "Rank," he says, "is excess baggage. It becomes a hindrance to learning because everyone expects that you already know everything."
Ever a student of the arts, Bob's quest for knowledge has taken him into aikido, iaido, arnis de mano, and escrima. However, what has impacted him the most are the years spent studying Chinese kuntao and Indonesian pentjak silat under Dutch-Indonesian master Willem de Thouars. After nearly 12 years of training with de Thouars, Bob received his teaching certificate from him in 1994. He now owns and operates his own martial arts school in Denver.
In addition to authoring Indonesian Fighting Fundamentals: The Brutal Arts of the Archipelago, Bob, a graduate of a Jesuit university, has also written numerous articles for both national and local publications and has just completed his second book, Martial Arts America: A Western Approach to Eastern Arts, which he expects to have published sometime next year.

No longer a tournament competitor, Bob still supports tournament and sport karate. As a founding member and past director of the Colorado Karate Association (CKA) -- a nonprofit organization that works to provide competitors with a positive tournament environment -- Bob believes that the arts' sporting element still provides training benefits for the serious practitioner. He currently serves as one of the CKA's top referees. 

Although he is not a "professional" martial artist, Bob, a computer professional for more than 30 years, still considers himself a "full-time" martial artist, because he studies and trains constantly. His school is a small one, and that's just the way he wants it. "Our school is our laboratory. There, we test everything from the practicality of forms training and techniques to the latest craze in self-defense. We have a formal curriculum -- from white to black belt -- but it is not set in stone. For us, the concrete is never quite dry."
Of his own abilities, Bob says, "I have many skills. After nearly three decades in the arts, I ought to. But my skills came not because of any natural talent, but because I worked very hard to get to where I am today. My fortés are my analytical mind and my ability to share what I know with others. I take the complicated and make it simple. I am a teacher."
An experienced seminar presenter, Bob is available for seminars and may be reached by email at

Index of Paladin Press site archived pages:

Stickgrappler's Note: I am guessing the Paladin site will be shut down at the end of the 2017 year and I'm archiving select Paladin Press pages to my blog to preserve an essential part of martial arts from 1970-2017. Archiving some of the Paladin "Author of the Month".


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