Self-defense, Martial Arts, and other dangerous words by Eric Taimanglo

Is Self-Defense a punch or a gunshot? What does "Self-Defense" really entail?

MMA: The Clinch - Fundamentals and Drills by Joe Silvia

Ausgepicht discusses the fundamentals of the Clinch as well as shares some drills to work the Clinch.

David Black Mastro - George Silver and The London Masters of Defence

TrueFightScholar discusses George Silver and Native 16th-17th century English Fighting Arts.

Southnarc (aka Craig Douglas) - Managing Unknown Contacts

SouthNarc discusses his plan when an Unknown Contact approaches you and how/what you should do.

Default Positions, Pre-Emptive Striking, and Mass Confusion By Lee Aldridge

Lee discusses what a Default Position is and why you need to ingrain one.

How To Make Your Own Rattan Sticks by Army Maguire

Army takes you step by step from start to finish in making your very own rattan sticks!

The Physical Body DVD Review by Stickgrappler

My review of a DVD on Kushti (Indian Wrestling) and its training methods.

Monday, May 20, 2013

Steven Seagal - "Kenjutsu is very, very difficult to learn. It's the hardest thing that I've ever tried to learn."




Excerpted from Black Belt 1990-04, Vol. 28, #4, Interview by Jim Coleman


BB: How long had you been training in aikido in Japan before you were introduced to kenjutsu?
SEAGAL: Maybe ten years.

BB: Do you consider ten years an appropriate length of time in aikido before someone should be introduced to kenjutsu?
SEAGAL: I don't really know. I just know that kenjutsu is very, very, very difficult to learn. When I was in Tokyo, there was a particular master who was a Zen priest that I wanted to learn from, but he wasn't accepting any students. I went to this guy for a couple of years, frequently asking him to teach me, and he always said "No." But at one point, he started to teach me. And that was my first experience with kenjutsu. Most of the kenjutsu masters I know are very quiet. They're very secretive in nature. They don't accept students from the outside. They don't talk to anybody.



 


BB: Why did this Zen priest finally relent and teach you kenjutsu? Was it your persistence?
SEAGAL: Yeah, I think it was probably my showing up on his doorstep five days a week for a long, long time. This particular teacher that I started out with was very careful with me. I've studied with a lot of different teachers where when you stand in front of them with a sword, you're afraid you're going to die; it's a matter of life and death. But this guy was very careful with me. He started me out similar to the way I started out in karate: working on a post doing kata (forms) for years before I ever got to spar. And this guy was similar. He started me out just learning the basic cuts and angles for a long time - real simple stuff. If you really know aikido well, in the advanced stages, you understand all the basics of kenjutsu. There's a lot of cutting with the hands in advanced aikido, and we started out with a basic cut to the front of the face or the top of the head. Now as basic as that sounds, it's a very frightening cut. It takes years to learn, and when you really know it, you can't see it coming. There's never a block and counter in kenjutsu - ever. It's always one move; it's always one cut. In fact, one of the mottos I learned was "one cut, one life." It's not a counterstrike. It's a strike, but a counter within the strike.

BB: Were you able to ask the instructor questions when you were confused with something?
SEAGAL: You don't ask. You don't say "But, why?" In six months or a year, you can ask that question and you might be able to understand it. But at first, you can't even understand it, so you just do what they tell you for the first couple of years.

BB: Is there any kind of advice you would offer a beginning aikido or kenjutsu practitioner?
SEAGAL: Yeah. There's an old saying that basically says rather than spending ten years of arduous training with one teacher, spend ten years to find the right teacher. When you learn something wrong for a long time, it's real hard to unlearn it. You have to find a teacher who knows his basics. And if you look at his students, you'll be able to see that. If you look at (shotokan karate) master (Tsutomu) Ohshima, you might not even know that he knows his basics, because they're gone; you can't see them anymore because he's too advanced. But if you look at his students, you'll see them.

BB: Does this concept apply to aikido as well?
SEAGAL: Yeah, people who are really good in aiki, you won't see anything that they're doing. We wear the hakama (divided skirt) to hide the feet too, so you can't see the feet.




You can find the full interview if you are interested at Google Books.

Sunday, May 19, 2013

TV: Bruce Lee in Longstreet S01E06 - Spell Legacy (full episode)


Enjoy this episode of Longstreet in which Bruce Lee appeared in!











TV: Bruce Lee in Longstreet S01E01 - The Way of the Intercepting Fist (full episode)


Enjoy this episode of Longstreet in which Bruce Lee appeared in! Loads of philosophical bits in this one!!





Saturday, May 18, 2013

BIRTHDAY: Happy 58th Birthday Chow Yun-fat!




Happy 58th Birthday Chow Yun-fat! Many many more to come!! I wish you Health, Happiness, and Prosperity!



Here are 3 great shootout scenes:


The Teahouse Shootout from Hardboiled


The Church Shootout from The Killer 


Great shotgun trick from Tiger on a Beat!



Here is one of Chow Yun-fat's classics:

God of Gamblers (full movie)



Enjoy!



Further Info


BOXING: Sugar Ray Leonard vs Marvin Hagler

Copied and pasted from http://sugarrayleonard.com/:



Remembering the Super Fight with Hagler

Photo Credit:  http://sugarrayleonard.com

I never felt so confident in overcoming the odds than I did against Marvin Hagler, because this was personal. I told the world that I would win because they didn’t think I could. I convinced Hagler throughout the press tour that he was a better boxer than given credit for. By the end of the tour, he stated that he’d surprise the world by outboxing me.  I said to myself, I got him, he believes it. That is why I won the early rounds.

This fight, “The Super Fight,” which was five years in the making, had been named appropriately. I had dethroned the mighty Marvin Hagler.

Photo Credit:  http://sugarrayleonard.com





Here's the fight. Enjoy!


Sugar Ray Leonard vs Marvin Hagler




Friday, May 17, 2013

BIRTHDAY: Happy 57th Birthday Sugar Ray Leonard!




Happy 57th Birthday Champ! Many many more to come!! There's not much I can say that is not known already. One of the greatest boxers ever!


Here's an animated GIF I made some time ago that I neglected to post earlier. It's from Sugar Ray's 2nd fight with Roberto Duran.




Here are some fights of the Champ.


Sugar Ray Leonard vs Wilfred Benitez



Sugar Ray Leonard vs Roberto Duran II



Sugar Ray Leonard vs Roberto Duran II




Sugar Ray Leonard vs Thomas Hearns I




Sugar Ray Leonard vs Thomas Hearns II



For more information on the Champ:

Ron Saturno - The firstest with the mostest is the bestest.




I like simple. I like perfected basics. I like to be the one who walks away, if I can. I like to walk away from a fight and if I do have to fight: I like to be the one who walks away. Obviously, I've used a lot of "I's" and I like to walk away one way or another. When I decided that "I" was important to me and that I'd like to be the one who walks away from fights: I started looking for someone who could teach me how to do this. Angel Cabales ended up teaching me how to get home safely. He had used his martial skills to save himself in many a very bad situation. You don't go to a man to learn how to lay bricks if he has never layed one. I went to a fight survivor when I wanted to learn how to survive. I am a first generation student of the late great Angel Cabales. Much of what I share today will be directly from his lips. Some will be my interpretation of his training and methods. Some information will be from me alone. Listen to me or not, it is your a$$ not mine. We have to learn to be able to closely scrutinize any and all information which comes our way. We are all survivors and survivors must always be aware of everything which comes our way. What to keep and what to throw away is the game. It's what keeps us breathing. I've hit a lot of sh!t in my life. After a while you figure out that your power, your maximum power, is really only maximally transferable into something within a very short range. It doesn't matter if it's a foot, a fist or a weapon. If you really want to transfer energy into something: You have to put the target in its proper range and you have to do your part to accomplish this. This is the basis of hitting hard. Knowing what you're doing and why is a big part of accomplishing this. The art part is accomplishing this when the b@stards keep moving around and thwarting your goal.

 
There are rules to most things that we do. If we want to hit something first than we should get out rule one. Hit it right away. The firstest with the mostest is the bestest. Get to 'crackin. Usually the first real telling blow is the beginning of the end of the fight. This holds true for hands, feet and weapons. Rule two. If you are unsure of rule one, look at rule one again.

 
Can it really be that easy? More than half of surviving a fight is the will to fight. A man who has decided to fight, should simply step up and get busy. Some men want to belittle you before a fight. Some men want to look good before his friends. They like to run their mouths. What this also means is that they are pumping up. They are getting their adrenaline dumping into their bodies. They will be harder to deal with, after the adrenaline dump. Whatever the reason, putting your fist in his mouth is not only satisfying, but has a lot of survivor value. A loud man who has approached you with clenched fists etc., gives you a reasonable belief that he is offering you imminent danger. Hit him until he drops and if someone is around stop. I am trying to get to the nuts and bolts of things, but I was told to keep it short by the boss. I'll get back to writing this after dinner. God Bless.





Other articles by Master Saturno:




Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Thursday, May 16, 2013

Ron Saturno - "Every hit 'must' have the potential of ending the fight, period."



He was young and hispanic. He had one of the new aluminum tonfas. The ones with ball bearings. He was usually found watching a church on Main St., in Stockton, but I saw him around. He was a security guard and was pretty damn good with his aluminum baton. Woe is me for going to a Catholic church because the women were particularly pretty. He would stand around when things were slow and spin the damn thing frightening fast. I had spoke to him a few times about his weapon, but he blew me off for asking him stupid questions. I really thought that it might have superpowers. He really did make the thing look invinceable. I couldn't figure out a way to beat its speed. I bowed to his weapon mentally and decided to keep out of his reach.


Catholic churches usually have bazaars at least once a year. The girls attending will doll up and oversexed young men (like me), would come out to feed, drink, play bingo, flirt and hopefully get at least a number, or hopefully a pair of panties to add to his collection. Yes, going to church for all the wrong reasons is blasphemy, but light stuff compared to why some priests go. In the middle of a group of familiars, someone threw a bottle at us. No real reason, probably other than we were getting more attention from the ladies present than themselves. I got a slight whack of the ricocheting bottle and quickly went postal. Everyone in our group felt the same. The fun was about to begun. I was tipsy, but gave a fair account of myself in the ensuing maelstrom of fists and feet. Took a few to the face, got my shirt torn, but quickly took my shirt off when I heard the sirens. Then I walked quickly into the crowd of lookie-loo's. When the cops rolled up: I wanted to be a spectator and not a participant in the physical activities. Stockton P.D. has a bad habit of hitting everything that moves in a brawl until everyone stops moving. Out of the corner of my eye I espied the young hispanic guard walking directly toward someone twirling his ball bearinged baton and he then stepped into his target and let loose. The target put his arm up, took the hit from the magical baton, stepped in and knocked the guard flat on his ass. The guard just lay down with a stupid look on his face. Either the punch, the failure of his magic baton, or both, had put him in a stupified state. My face must have had the same look, because I was just as shocked. What in the hell could have gone wrong? Something that could move as fast as his baton, just should have knocked his target into a prone position. I learned that day: That with weapons and most everything else, theory is not necessarily fact. Before you put your ass on the line: You'd better do your homework. I watch a lot of stuff on Youtube and most of the stuff is great, but some of the theoretical techniques in my estimation are just too complex to bet my ass on. A regular police night stick would have quickly dropped the guards target on his ass. Some of the 13 step responses to a simple punch will get you on your ass as well.


From that day forward I realised that my knowledge of weaponry was weak. My assumptions regarding the fancy tonfa were clearly unfounded. I would have bet hard cash that anyone hit with the fancy baton would surely and quickly know that they had taken a telling blow. I went back to basics and have stayed there ever since. Most of the martial arts techniques that we can truly depend upon are based upon good physics. It amazes me that monks on top of hills, thousands of years ago, without knowledge of math and applied physics could develop MIT level martial techniques. We buff the ancient techniques, polish them, give them new names, etc., but we haven't really developed anything new. We delude ourselves to assuage our egos. Name any new martial system and there were low level monks, etc., who could kick most of our asses today. These men lived a closed, monastic lifestyle. Praying and others praying that one of the monks wouldn't hit them were their lives. They didn't practise techniques until they got them right: They practised techniques until they couldn't do them wrong.


When men develop techniques during harsh times: They develop them with a clear mind. No bullsh!t need apply. Bread and butter techniques that are simple and effective under most conditions are the order of the day. Weaponry follows the same paths as their owners minds. Men who mean business do not stand around and twirl their weapons. Weapons are to hit things with. Can you imagine a shoot-out where everyone is standing around twirling their guns and not shooting in order to stay alive? The true Master makes "every" hit count. Every hit "must" have the potential of ending the fight, period. With everything mentioned: I will start writing about the nuts and bolts of what I believe is important when training and apply.




Other articles by Master Saturno:






Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno



MUSIC: Thom Stockton - This is War



My thanks to Luke Beston for the share via Facebook!





"THIS IS WAR"


**** I’m from Stockton, so what, it don’t need to be talked about
how about you breakdown my tech, when I knock him
how about my takedowns and sets of punches landed on him
make crowds of my enemies new fans, they crown the California king
not the kid, not that I mean disrespect,
but this is grown man ****, you don’t like it then get upset
I am here to keep it real, and y’all should thank me for that
Cuz while these other fighters talk the ****, I’m cockin it back BLOWW!
You talk in the background, like you’re gonna smack me around,
But when I come around, and I’m in your face you ain’t that loud
I’m tupac in the cage, and you too soft to get paid,
And we could take it back too Stockton, you dudes drop to the pavement
It’s war man, no canvas, no stage, no cameras,
no games, You think you stand a chance against me, no way
it’s west coast, no waves, all streets, no games, man ****
just you and me, one on one, let’s handle it homie

I DIDN’T COME TO PLAY, THIS **** IS NOT A SPORT
I CAME TO BATTLE, THIS IS WAR
AND I’M NOT THE ONE YOU WANT, BUT IF I’M WHAT YOU GOT
YOU BETTER GIVE IT YOUR ALL I’M RAW

Don’t be scared homie, unless you’re on the other side of the card
I’m not a street fightin thug, meaning mug dudes in the bar
Its stupid to think that I am, because of where I’m from
I’m a martial artist, are you guys **** dumb?
I’ve been doin this a long time, earned this success
Despite the fact that it makes you upset, so much so that
You paint me the bad guy, I guess maybe that’s why
I come off angry, y’all don’t know me, but you hate me?
How stupid is that, I’m a student of my craft
I am focused and disciplined, that’s why I am where I’m at
I have fought the fights and promoted myself to this spot
Now it’s time to get what I have I deserve, a title shot
Ready as a car wreck it’s gonna get ugly
No decision, **** that, knock him out with punches
I’m in my prime, now is the time, fighting for pride still
But I’m not gonna lie, that’s a nice belt, mine now!

I DIDN’T COME TO PLAY, THIS **** IS NOT A SPORT
I CAME TO BATTLE, THIS IS WAR
AND I’M NOT THE ONE YOU WANT, BUT IF I’M WHAT YOU GOT
YOU BETTER GIVE IT YOUR ALL I’M RAW

Wednesday, May 15, 2013

Ron Saturno - Comparison of Short stick vs Long stick





If we were to look into the mechanics of boxing we will see a direct connection between mens arm reach and who wins bouts. More men with longer reach will win more fights than men with lesser reach against these men. I have compared the reaches of championship fighters and the comparison holds true. Some might say that there may be other factors than just reach and while this may be true: The fact still remains that a boxer with a longer reach can still fight up close, but a shorter reach boxer can't grow arm length.

 
Let me grab a favored Champion fighter. He has a face tattoo, He used to have constant problems. He hit unbelievably hard. He has relatively short reach. But, he could weave into an opponent with beautiful alacrity. He needed weaving to close the distance against longer reach opponents. Once in, he delivered devastating short body hooks and upper cuts. Poetry I tell 'ya. The only thing that could drop this man in his prime was a great ass in a tight dress, drugs and cops with warrants. I loved the boxing style of Mike Tyson. The man without his gloves on did have issues, but who am I to judge. I've fallen prey to a pretty face and a fat joint myself. We live and we learn.

 
I write this today to make a comparison between short stick v.s. long. In my system, it is said that we prefer the short weapon. "We" ain't one of these. I love a longer weapon, well beyond 24 inches. If we prefer a short weapon than we also prefer its weaknesses. Many of my brethren simply accept the superiority of a short weapon, but cannot succinctly elaborate the short weapon advantages over longer weapons or short weapon weaknesses. If they can, than so much the better for them! At least they are making an informed decision. Many others can't say the same. Short sticks are great and longer sticks are great. I like a longer stick, but can use a shorter weapon just as well. I like to be prepared for most bad time situations. So to me, clearly understanding your chosen weapons ideal usage simply should be a given. If you do match up against an opponent with any weapon: Quick determination of available fighting tactics could be life saving and knowing your weapon is a big part of this. I am going to go a little further regarding weapon lengths, over the next few days. Hope you'll enjoy the ride.



Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Tuesday, May 14, 2013

Ron Saturno - "Espada y daga properly performed violates common sense."




Today's entry concludes the series of articles for now by Master Ron Saturno on Espada y Daga. In case you missed the previous articles, please check out: 


 



I had been writing about the formulation of distance(s) and its effect upon espada y daga. I tried to begin to describe elbow-in v.s. an elbow-out position, when striking. And the most effective ranges of the parabolas formed by the shorter and longer weapon. I know that it was boring, but the information had reasons for its being shared. I was starting to explain the theoretical foundation of Serrada Escrima and its proper use in espada y daga. I was going into the explanation, nuts and bolts. It was boring, but necessary. But, it didn't go over well, so I will save it for my students. They will be given the foundation of Serrada Escrima. They will be fast, hit very hard, will have good footwork and angleation and hopefully if they ever "need" Serrada, will walk away unharmed. And "if" I had any part in this: I will have done something positive in this very ugly world.


When we strike from an elbow in position, we have economy of motion. The elbow tucked-in position helps in speeding the strike and allows us quicker recovery times, to accomplish the next strike. Because the arm mass is closer to the body when we strike from an elbow-in position and because we are using our hips to roll the weapon out. But, we" have" to be a little more closer than usual to accomplish this. It forces us to get closer to our opponent(s) and is somewhat "less" safe because of this reason, "without" a daga. But, with the daga as back-up, it can offer a "lot" of safety and advantages that we wouldn't have "without" the daga. We are hitting faster and harder from a elbow-in position. Since we are using our legs to strike, our arms do not become as tired and we can mentally mind-f*ck an opponent because of the speed and power of our incoming blows.


I did begin to show my private student yesterday the proper use of the daga. The daga kept cutting his hands at unpredictable moments: Unseen, but felt. We need to learn to hide the smaller blade. It must be felt, but seldom if ever seen. I used the daga as a reversal tool as well. We take their mind to the small blade when we cut them and while their minds are transfixed upon the shorter weapon and the pain and damage that it can accomplish, we strike with the larger weapon: heavily and decisively. This is accomplished by a neutral weapon feel. We don't push, press, pull, or hurry our opponent(s). They shouldn't be able to ever "read" our intentions. We want "him/her" to completely commit themselves when they strike. Their complete commitment is their downfall. Espada y daga properly performed violates common sense. We want someone to hit us very hard and very fast! Their commitment is their own undoing. The faster and harder they hit, the easier they are to deal with. This runs against common sense, but it works. If you watch the two videos I put up today here on Facebook: In one of them I was overpowering my opponent. In the other my opponent was overpowering himself. In one video we depend upon being faster and stronger than our opponent. In the other video: Are we using our opponent(s) power against themselves? Hell yes. This is a whole other beast than trying to fight the knife. We don't want to fight the knife, we let the knife fight its owner!




Other articles by Master Saturno:






Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Monday, May 13, 2013

Ron Saturno - Espada y daga, part 3



This is the third in a series of articles by Master Ron Saturno on Espada y Daga. In case you missed the first article, please read: 


 


Espada y daga, part 3. Put a 28" in your hand and make a strike, keep your elbow tucked into your side. The "sweet spot" is about 24-26", measured from the elbow. Most people don't hold their stick, at its very end, we have to account for the lost inches. It is about 10" from elbow to hand and from your hold on the weapon another 16-18" to the "sweet spot", altogether the 24-26", this I have already mentioned. How do we use this knowledge? Angel Cabales gave you very little to hit, but in order to hit someone with his elbow tucked in to his side, he "had" to come "in" toward his opponent. Serrada is a medium fighting style, not a close fighting style like some believe. A medium fighting range, allowed him to still "see" things develop and still allowed him to take advantage of developing events while fighting. He liked to hit with his body, not his arms. Many people do not know that firmly striking someone with a weapon with the body behind the strike adds a lot of free power to the strike. Yes, we can strike with incredible speed with our sticks, but we have to account for weight. Remember, the theorem of power is based upon speed and "weight". 70 mph with a .75lb. stick, does "not" generate the power of 60 mph srick with 200lbs. of body weight behind the strike. Angel Cabales being a smaller man, needed to be behind his blows with "all" of the weight he could behind his strikes. Noodle arm hitting does "not" usually develop fight ending power with a stick. Oh, it hurts like hell, but you don't ask for the license plate of the truck that hit you when you wake up in the hospital: Like you do when hit with body weight behind a blow. This is one of the reasons you see basics taught with "you" facing your opponent's weapon in Serrada. Yes, there are many reasons, but I love my idea anyway. He had to turn his hips into the blow to generate power "if" he was hitting from an elbow tucked position. I know that many have never seen very much of this actually done, but it works.


If you were to hit someone on their wrist/hand from an elbow tucked position: "You" would be in range of "his" weapon. This is why Serrada blocks are done with the hand! Yes, the hand. The stick is only used for stopping your opponent's weapon. Everyone gets sloppy and they start blocking with their sticks, but the basic blocks are "all" hand blocks. In order to tuck and not offer much to our opponent, we almost "have" to perform basic, hand assisted blocks, or become really good in our ability to angle. We can already figure out that espada y daga "can" be really up close and personal. The foot work of Serrada is based around espada y daga. Quick replacement stepping allows the left foot to be brought forward and the left hip to be swung around into the blow/stab. If I were to give an inside block, from the elbow tucked position and you somehow were not hit, your opponent would be coming back around with a number two angle strike. a quick replacement step allows you to quickly and efficiently "face' the next blow, if we can't, we stay and pass the oncoming blow. The female blocks, or tip down blocks: I call them "stickdown" blocks are there to allow you to pass blows without directly "facing" the blow. "All" stick tip down blocks are female blocks, to help you survive a strike when you are not in a position to strike first. OMG! I just realized that I am trying to teach espada y daga in writing. It is just too damn hard to do. Just know this: Angel Cabales came in close, remained close and with his knowledge of Espada y daga, which included footwork, proper angle entries, picking and reversing, he was hard to deal with. I hope to show more espada y daga on Youtube and at my seminars. I hate to cut this short, but just don't want to confuse anyone enough to "not" want to learn espada y daga. I hope as usual that everyone is in the very best of health and that all is well in your lives. God Bless.






Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Sunday, May 12, 2013

IN MEMORY OF: Aaron Banks (August 28, 1930 - May 9, 2013)

Picture copied from Blackbelt Magazine's Facebook page.

On May 9, 2013 (this past Friday), the Martial Arts world has lost a luminary. He was a prolific promoter of the Martial Arts.

Copied from Blackbelt Magazine's Facebook page 2 statuses:




RIP Aaron Banks

In an e-mail, New York City-based karate instructor Paul Mormando, a longtime associate of Aaron Banks, said this about his good friend:

"He was my one and only mentor and the greatest martial arts promoter of his era. I participated in well over 25 Oriental World of Self-Defense shows ... martial arts were his life."

and


RIP
Aaron Banks (1928-2013)

Black Belt just received word that Aaron Banks, a goju-ryu stylist under Peter Urban and a successful East Coast tournament promoter, has passed away. 

Banks, who earned his first black belt in 1962, was perhaps best-known as the creator of the Oriental World of Self-Defense, which he launched in 1966. Subsequent shows took place at Madison Square Garden and other prominent venues, as well as on television.

A tribute to Banks will be published on our website (www.blackbeltmag.com) next week.





My sincerest condolences to the loved ones, students and associates of Great Grandmaster Aaron Banks.



NOTES:

As of this posting, Wiki has not updated their entry on Aaron Banks. Also, Great GM Banks Facebook page lists his birth year as 1930, whereas the Wiki entry has 1928.

Ron Saturno - More about Espada y daga



This is the second in a series of articles by Master Ron Saturno on Espada y Daga. In case you missed the first article, please read: 

 


More about Espada y daga. When I was in Japan I took some courses from stateside schools. One distance school was University of Maryland and another was L.A. City College. I took a history course from a Ph.D. who was a spy during WWII in Europe. He had a permanent limp from being shot in the leg. He was a very knowledgeable man and interesting as hell to listen to. Somewhere in our conversations he let it be known that he was a practicing blade man. In fact, he was the first non-Japanese to be given a license to teach the blade. He was a walking database of the Japanese bladed arts. He took me into the museum that he was the curator of and allowed me to get a much closer look at the swords. Many of the blades were hundreds of years old. He explained the very structure of the blade and how the blades were bendable and even breakable, if used incorrectly. I guess that I was destined to be a blade man. I have been very lucky to have been exposed to many great swordsmen.


He explained that the blade of the Samurai, although many inches long, had a sweet spot about 10" or so down the blade, going back towards the handle. He explained that if we can put the opponent's body within that zone and if we strike with reasonable power and with body follow through, the blade will be allowed to do its job. With FMA sticks of an average length of about 28", this would put the sweet spot of those sticks (blade orientation) of about 6-10" down the stick, at or about 20". For me, this puts the spot in the perfect range of a fuller sized Barong and I love it. Of course, with a stick we can do a lot of tip flick strikes, etc., that shouldn't be attempted with a blade. But, I am blade oriented. If we do the same math with the daga, the sweet spot would be the proper( usage range) length of a sometimes preferred, shorter length Serrada stick. This knowledge makes the daga a comfortable use weapon for a Serrada man, because a Serrada man's constant use of the daga length weapon, allows him a good working knowledge of distance control.


What comes out of this, is "my" preferred weapon(s) and length(s). What also comes out, is that because of the sweet spot of our weapons, we may have to be much closer to our opponent's when striking than many may now believe "necessary". The shorter (daga) weapon used in traditional lock and block's sweet range is typically about the length of a man's arm from armpit to wrist, armpit to shoulder distance of about 24-26". Which just happens to be a reasonable trade-off range with the common 28-30" rattan stick lengths which are currently popular. What I am saying is that Filipino's may not be so dumb. Maybe, there are reasons for 28-30" sticks being popular! What is important to me is that FMA practitioners take the time to study their craft and have a reason for each and everything that they do, in practice and in real life! Remember that if we strike outside of the sweet spots of our weapons, we can bend and even break blades, even the good ones. So, we must take the time to completely understand the nature of our craft, like professionals. Remember professionals get paid: We don't want to pay for our mistakes with our lives. All of the knowledge we pick up should be used to constantly improve our chances of survival, in a combat environment. It is about searching out our own destinies. We don't search to add cumbersome thoughts and movements to our personal arts. We study and learn to remove as much as possible. We want to be mean and lean fighting machines. In hope this post in some way, gets the wheel turning about the nature of lock and block. There is a lot there my friends, but in the end it is about finding out who is faster! Past all of the bullsh!t and hype: If I hit you first I am faster, period. Doesn't matter how I got there first.




Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno


 
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Stickgrappler's Sojourn of Septillion Steps